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Girl you play me like piano

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These women were obviously comfortable with their questioners. In addition, the interview format used in Jazzwomen provides the reader with each artist's own words, permeated with a warmth and immediacy not typically found in author narratives. Jazzwomen is a much-needed book. Between and , Wayne Enstice and Janis Stockhouse interviewed dozens of women jazz instrumentalists and vocalists.

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SEE VIDEO BY TOPIC: Sampha - (No One Knows Me) Like The Piano (Official Music Video)

Make Me Like You

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The record's second single, it was released digitally on February 12, , and distributed to contemporary hit radio on February 16 in the United States by Interscope. A pop and disco recording, "Make Me Like You" incorporates light rock , with guitars and digital harps over an uptempo melody. The lyrics, which were inspired by Stefani's relationship with singer Blake Shelton , explore finding and renewing love after a fractured relationship.

In the United States, it debuted and peaked at number 54 on the Billboard Hot , where it remained for five non-consecutive weeks. The single peaked lower in the charts of Japan, Canada and France. An extended play with three remixes of the song was released for digital download on April An accompanying music video, directed by Stefani's long-time collaborator Sophie Muller , was the first and only video to be filmed and broadcast on live television. The video, which received positive comments from reviewers, includes several costume changes and a scene that pokes fun at the media scrutiny of Stefani's personal life.

In , Stefani began working on two albums: a follow up to The Sweet Escape , her second solo album, and a new album with her band, No Doubt. Although the singer initially reported that " Misery " would be the album's second single, "Make Me Like You" was chosen instead. Bianca Gracie and Mike Wass of Idolator also liked the song, with Gracie calling its melody "wildly infectious" and praising its "pure, vibrant and cheeky pop".

Wass called it a "breezy anthem" and "a worthy addition to Gwen's discography". Ryan Middleton, also from Music Times , wrote that its "solid production" gave him a "temporary earworm".

Holz of Plugged In appreciated the song's "honest lyrics", [31] Lindsay Zoladz of Vulture found them "irrepressibly" and "convincingly teenage". It entered on the Digital Songs chart at number 12, with digital sales of over 56, in its first week. In Canada, the song peaked at number 62, Stefani's lowest-charting single after 's "Used to Love You".

After three weeks, it dropped off after it peaked. The single was less successful elsewhere. In Australia, it debuted at number 99 and peaked at number 97 the following week, becoming Stefani's least-successful release in that country. Stefani joked that the mistakes "knocked some sense" into her, [64] [65] and the actual video went off without a hitch.

That was the fastest four minutes. It's so amazing how much goes into one take. I couldn't be more proud of our team, especially Sophie, the cast and the crew for their hard work over the past few weeks. This entire project with Target has been such an incredible experience, and I'm so thankful for the opportunity to collaborate with them. In an interview with Jimmy Kimmel on his nightly talk show , Stefani said she could barely believe that the performance occurred.

According to Los Angeles Times and Music Times reviews, "She had personally worked on it continuously for about six days", [67] from "7 in the morning 'til 3 in the morning". In the video, Stefani wakes up amid debris from a car crash in a black-and-white striped gown over a black turtleneck and black pants. She gets up, walks past a line of hanging clocks and is greeted by four women in bodysuits.

One of them removes Stefani's gown, and another replaces it with a red kimono. She enters a pink hair salon, where Stefani's friend and hairstylist Danilo Dixon greets her and seats her in a rolling chair. During the bridge , Stefani walks into a dark room with five female figures wearing masks of her face.

After intentionally bumping into two of them, she puts on a multi-colored poncho and rides a motorcycle with other women. During the third chorus, she changes into a long, white skirt reminiscent of a wedding gown and enters Blake's, a piano lounge another reference to Shelton.

Stefani stands at the bar, where bartender Todrick Hall pretends to mix drinks and wipe the counter. A background dancer picks her up and swings her in a circle, while others also dance. Stefani walks over to a piano and lip-syncs the song's bridge, while members of the production crew replace her high heels with roller skates. Online called it "spot-on as always", and enjoyed the costume changes, roller-skating and "Gwen-look-alike dancers". The scene where Stefani's stunt double falls surprised critics at first, with many thinking that the fall was real.

Delbyck called the stunt "confusing", but "if you look closely right before the fall, however, Stefani leaves the screen for a couple of seconds" allowing her to change before the final scene. The unedited video was filmed in one take, with multiple cameras. From Wikipedia, the free encyclopedia.

Pop disco. Stefani is heard with "digi-harps" and "feathery guitar riffs" in "Make Me Like You". MTV News. Archived from the original on April 26, Retrieved February 10, Archived from the original on January 30, Archived from the original on February 14, Entertainment Weekly.

Archived from the original on April 12, Retrieved August 1, Archived from the original on March 1, Archived from the original on July 8, Retrieved July 5, Archived from the original on August 18, Retrieved August 17, Entertainment Tonight. Retrieved August 18, Gwen Stefani.

Archived from the original on September 16, November 3, Archived from the original on September 15, All Access Music Group. Archived from the original on February 17, Retrieved February 4, Archived from the original on April 4, Retrieved March 23, April 22, Archived from the original on September 21, Archived from the original on February 8, Archived from the original on February 16, Retrieved February 17, ABC News.

Archived from the original on October 13, Retrieved October 12, Archived from the original on February 15, The Atlantic. Archived from the original on June 27, Retrieved July 7, Consequence of Sound.

Archived from the original on March 21, Los Angeles Times. Archived from the original on March 17, Archived from the original on March 20, Slant Magazine. Archived from the original on February 20, Retrieved February 18, USA Today. Archived from the original on February 26, Retrieved February 26, Archived from the original on March 23, Music Times. Archived from the original on July 6, Archived from the original on June 30, Plugged In. Archived from the original on June 29, Archived from the original on July 3, The Michigan Daily.

Archived from the original on August 22,

Play Me Like A Piano (Instrumental)

I was fragile, I was nervous I was flooded, You were perfect I was timid, You were fearless I was in it, You could feel it You were music, I was listening Not a beat that you were missing I got so caught up in the way you sound. You played me like a piano You made some pretty strength and me along I felt for every note Guess I didn't know it was a heartbreak song I'm not a stupid girl I should have known I let you play me like a piano, Oh You played me like a piano. It would feel good, for a minute Just to scream but you won't hear it And the truth is, this is my fall All the bad things started once more Of a sudden, I had two hearts I was so blind, I was too smart And the weakest part of me wouldn't let go, Oh. Thank you and I guess I'll thank myself Smart girls don't let these kind of things happen whilst I'll never let anyone in.

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The record's second single, it was released digitally on February 12, , and distributed to contemporary hit radio on February 16 in the United States by Interscope. A pop and disco recording, "Make Me Like You" incorporates light rock , with guitars and digital harps over an uptempo melody. The lyrics, which were inspired by Stefani's relationship with singer Blake Shelton , explore finding and renewing love after a fractured relationship. In the United States, it debuted and peaked at number 54 on the Billboard Hot , where it remained for five non-consecutive weeks. The single peaked lower in the charts of Japan, Canada and France.

Cassadee Pope - Piano Lyrics

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Sampha - No One Knows Me Like The Piano

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More by Andrew Woloz

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Jun 3, - I'm not a stupid girl, I should have known. I let you play me like a piano, oh. You played Smart girls don't let this kind of thing happen twice. I'll.

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